{http://www.TheMegahitMovies.com/indexmain.htm}
{http://www.TheMegahitMovies.com/rmpromo.htm}*
Richard Michaels Stefanik {rmpromo.htm}* ** The Da Vinci Code
(June 5, 2005 6pm PST)
{http://www.WritersChannel.net}
** **
June 5 THE DA VINCI CODE
Richard Michaels Stefanik's Megahit Movie Chat
June 12 CAPOTE
Lesley Bracker's Modern Classics Chat
If you want to learn how to write screenplays, read screenplays. If
you want to learn how to write movies, watch movies with an
analytical eye. Discussing movie structure and breaking down why the
film works, and how it works, is the best way to learn how to write
an effective screenplay. The Writers Channel includes a Mentor
Program; Screenwriting Groups; Pitch Hollywood Executives, Agents and
Movie Producers; Writing classes; Resource Center; Audio Interviews;
Articles on classic movies; member contributed journals & Creative
Exercises.**
*RMS Screenplay Consultations*
*A personal consultation on your original screenplay!* Once you
purchase this package, you will be permitted to submit a 120 page
original screenplay. Between 3 to 5 pages of written comments about
the screenplay will be emailed to you within 14 days after the
receipt of the script by U.S. Priority Mail. Also included is *The
Megahit Movies Book* 502 pages of information about the structure of
popular films. Once you have read my comments, I will schedule a
one-hour chat session to further discuss your script. Start
developing your script into a feature screenplay that can be made
into a popular Hollywood movie!
{http://www.TheMegahitMovies.com/ScriptConsult.htm}
* The Megahit Movies Book*
*"THE MEGAHIT MOVIES perfectly exemplifies the commercially focused
"how-to" screenplay book. This book is specifically for screenwriters
who want to learn how to write the most commercial money-making
"megahit" that they can."
C/reative Screenwriting Magazine, Nov-Dec 2005/*
Now Only $23.99
The new 502 page edition analyzes *The Megahit Movies*, those films
which have generated more than $250 million in North American Box
Office receipts. It presents principles of story construction that
can be used to develop popular movies by providing an analysis of
cinematic techniques. It also offers stimulating ideas that can be
helpful in the creative process. The book is designed for writers,
directors and producers who want to create commercially successful
films. The fundamentals of dramatic structure, the human emotions,
and the construction of humorous characters and situations are
explained, with examples drawn from some of the most popular motion
pictures Hollywood has ever produced. This book discusses the recent
megahit-blockbuster movies such as SPIDER-MAN, SHREK, HARRY POTTER,
BRUCE ALMIGHTY, MATRIX TRILOGY, FINDING NEMO, PIRATES OF THE
CARIBBEAN and THE LORD OF THE RINGS.
{http://www.TheMegahitMovies.com} **Richard Michaels Stefanik
RMS PRODUCTIONS COMPANY
rms(a)TheMegahitMovies.com
www.TheMegahitMovies.com
**
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====================================================
Screening the Future
Remodelling the Business of Film Distribution
23rd June 2006
====================================================
Screening the Future is a strategic, hands-on symposium, taking
place at the London Business School, dissecting the future of the
business of distribution. This interactive and collaborative
conference and workshop will engage leading industry experts and
business strategy professors to analyse and generate new, workable
models for film distribution.
Organisations already sending senior executives include Warner Bros,
Carlton Screen Advertising, UIP, BBC Films, the UK Film Council, The
Entertainment Agency and more
Speakers and professors confirmed to take part include:
*Wayne Borg, Executive Vice President Commercial Operations, UPI
*Johnny Fewings, Joint Managing Director, Universal Pictures UK
*Nina Pustilnik, Senior VP Corporate Development, Warner Bros
*Mark Bennett, Head of Digital, HMV
*Timothy Ryan, Director of Brand Marketing, AOL UK
*Nish Bhutani, COO / Head of Marketing Services, Arts Alliance Media
*Professor Olav Sorenson, London Business School
Screening the Future is a totally unique concept. A half day
conference followed by an afternoon of intensive group working on a
real marketing and distribution case study provided by a major
Hollywood studio, steered by senior business school mentors and
industry practitioners.
Sign up now and be part of the most forward thinking event of the
year.
Who should attend?
Studio and independent film distributors, producers and executive
producers, marketing and creative agencies, entertainment retailers,
film financiers, venture capitalists, consulting, accounting and
legal services, and everyone involved in the marketing and
distribution of film.
For more information and to register:
Tel (UK): 0845 056 7122
Tel (INT): +44 (0)20 7841 4805
Email: mailto:screenconferences@emap.com
Online: http://www.screendaily.com/screeningthefuture
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