Please contact our sales coordinator Helena Pitrova to arrange a meeting time at your convenience with 3 suggestions for dates and times that are most suitable for your schedule.
Or Telephone our offices directly:
Vancouver +1 604 421 1477 Prague: +420 318 618 929
We will be adding more films to our listing throughout the next few weeks and will keep you posted with updates and availabilities in your territory.
LLOYD SIMANDL, JOHN CURTIS, ROD AKIZUKI, SHARLA BULLARD AND HELENA PITROVA look forward to meeting with you to preview our new releases and screen our library titles.
We wish you a safe and pleasant journey to Cannes and a successful market,
Regards,
Sharon Christensen
VP
North American Productions, North American Pictures
Website: www.northamericanpictures.comwww.napstudios.cz
Email: admin(a)northamericanproductions.com
Canadian Office: 8216 Forest Grove Dr.,Burnaby, B.C. Canada V5A 4G9
Tel: +1 604 421 1477 Fax: +1 604 421 1475
Prague Office: Geologicka 2, 15200 Prague 5, Czech Republic
Tel: + 420 251 117 950 Fax: +1 420 251 117 913
If you are unable to view the information contained within this message, please contact us so that we can provide a pdf format for you.
International Film Festival Summit Reception at The Tribeca Film Festival
Taking Place April 22, 2005 in New York City @ 4pm (Location will be emailed upon RSVP!)
Join us for a reception during The Tribeca Film
Festival, as the event takes shape this year come
network with peers and colleagues as we gear up for
the 2nd Annual Film Festival Summit taking place Dec
5-6, 2005 in New York City.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2nd Annual International Film Festival Summit
If you missed the first Inaugural Film Festival Summit,
be sure to join us this year for the Industry event of
the year!
This will be the largest ever gathering of professionals
from the film festival industry. This is not a place to
watch films or meet with filmmakers, but a place to
dialogue with your peers, share insights and gain
knowledge that will help you grow your film festival
and keep it thriving.
Discover the latest trends in:
* How to Maximize Sponsorships
* Alternative Festival Revenue Models
* Marketing Your Film Festival
* Streamline Festival Operations
* Film Festival Programming From A to Z
* Leverage Cutting Edge Technology
* Acquisitions and Distribution
* Measuring the Economic Impact of Your Film
Festival
Who Attends?
* Film Festival Founders,Directors,Programmers
* Technology Companies
* Economic Development Councils
* Aquisition Professionals
* Sponsors Of Film Festivals
* Suppliers to Film Festivals
* Marketing Executives
* Entertainment Organizations
* Travel Related Companies
* Media & Press
Once you RSVP we will email the location
Contact Us: 917-655-0818
Click Here To RSVP - mailto:info@etaexpo.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Participation Opportunities
------------------------------------------------------------
Speaking Opportunities
We're inviting the most accomplished experts and
practitioners to share their expertise with a high-
level audience of executives eager to launch or
expand their own festival initiatives. We're seeking
session proposals that describe real world
experiences, discuss trends and issues in-depth,
describe up-to-date research and development, or
outline best practices as an integral part of a
successful strategy in the film festival industry.
Speakers Submit Here - http://rs6.net/tn.jsp?t=4zfbxcbab.0.6xpwu9aab.4ooldzn6.3339&p=http%3A%2F%2F…
---
Sponsorship Opportunities
Why sponsor the IFFS?
Each year there are over 800 official film festivals
held world wide. Unofficially there are over 1,900 film
festivals world wide. Of the 800 official festivals 250
have emerged in the last 5 years. The film festival
market represents a massive branding, marketing,
and business development tool for companies
wanting to reach consumers. For companies that
provide products and services used by film festivals
and festival attendees this is your opportunity to
form strategic partnerships and develop new
customers in order to generate new revenue
sources.
Sponsorship Opportunities - http://rs6.net/tn.jsp?t=4zfbxcbab.0.4xpwu9aab.4ooldzn6.3339&p=http%3A%2F%2F…
---
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IFFS
------------------------------------------------------------
email: info(a)etaexpo.com
phone: 917.655.0818
web: http://www.filmfestivalsummit.com
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IFFS | 356 W. 58th Street | New York | NY | 10001
Dear Sir / Madam,
Hopefully you must have heard of this small budget feature film, which
is considered to be the most successful feature film of 2005 namely Page
3.
Page 3 is a Indian film based on 3 independent girls and one of them is
reporter for page 3 witch is considered to be the page of Glamour world
and celebrities, how she is involved and what are her experiences during
her meeting and interviews with so called high society celebrities. It
is a Entertaining film with a message reveling the double standards and
life styles of Page 3 celebrities.
The film is Produced by Sahara One Entertainment and Percept Picture
Company and Directed by Madhur Bhandarker, a renowned, talented and
Award winning Director of recent times.
The film has made record collection in India and it is successfully
released in UK and USA Theatrically and Home Video and terrestrial
rights in Singapore, Indonesia, Mauritius and USA. UK rights for Home
Video is available with other territories for Home Video and Terrestrial
Television for remaining territories.
We are pleased to mail you the pictures for your perusal. Please feel
free to mail us your interest, inquiry, queries if any and we assure you
that it will receive our very best and prompt attention at all times.
For more options of 1000 plus Indian films and 400,000 hours of
television products, please visit our URL : www.giriraj.net
Best Regards
For Giriraj Music & Media Exim Ltd.
Rajesh Sheth
Managing Director
-------------------------------------------------------------
India
Contact : 0091 - 22 - 56291789
Mobile : 0091 - (0) 9322667930
0091 - (0) 9820667785
eFax number is 001 (678) 550-2444!
info(a)giriraj.net
rajesh.giriraj(a)gmail.com
URL : www.giriraj.net
& www.giriraj.net/prod.html
--------------------------------------------------------
DISCLAIMER:
The information in this message may be privileged. If you have received
it by mistake please notify the sender by return e-mail and delete the
message from your system. Any unauthorized use or dissemination of this
message in whole or in part is strictly prohibited. Any information in
this message that does not relate to official business shall be
understood to be neither given nor endorsed by the Company.
{http://www.TheMegahitMovies.com}
Each issue of the ezine will present a topic about the story design
of popular movies.
* The Megahit Movies Ezine - The Protagonist*
The* protagonist* is the main character of the story. He/She/It is
the character with whom the audience must bond and have the most
empathy. The audience should identify with the point-of-view of the
protagonist. It is his primary objective that becomes the story
objective. Whether he can achieve this goal becomes the concern of
the audience.
Perseverance and will power are the most important personality
traits that a protagonist must possess. He must have an unshakable
commitment to his primary objective. He also must be sincere and
believe in the rightness of what he is doing. While he may have
moments of self-doubt, he overcomes them and continues pursuing his
objective.
He must have sufficient will to overcome all the obstacles that he
will confront while pursuing his objective. He needs this strength to
engage in the climactic battle with the antagonist. A character who
gives up too easily would not be able to withstand attacks from the
antagonist and his supporters. The protagonist must have the strength
and stamina to carry the fight to its conclusion.
Not all of the protagonists are male. Some, like Rose in /Titanic,/
are female, and some, like Nemo, Shrek, the Grinch, Sulley, E.T. and
Simba, are non-human. The strength that the protagonists needs is
not always physical strength, as shown by the examples of Elliott,
E.T., Frodo, Harry Potter, Cole Sears, and Kevin. What they have is
the commitment to accomplish their goals. Their lives and the lives
of the ones they love, if not the very existence of the world, often
depend
on them achieving their goals.
The protagonist is the character who makes most of the major
decisions in the story. The choices and actions that he makes during
conflicts reveal his values. These values will help him achieve his
objective.
While most of the popular films have only one protagonist, some have
a protagonist with dual personalities. Batman (Crime Fighter and
Reclusive Millionaire), Indiana Jones (Adventurer and University
Professor), Spider-Man (Crime Fighter and High School student), and
Bruce Almighty (TV Reporter-God for a week) are examples of this.
These protagonists are more intriguing for the audience and help them
fantasize
that they also could possibly live a secret adventurous life. This
increases the audiences identification with and empathy for the
protagonist.
In /E.T.,/ both Elliott and E.T. share the role of the protagonist.
This is essential for a story in which the feelings, emotions, and
thoughts of two characters merge through telepathic communication.
This technique helps to explain the success of the film, because
merging the two characters into a double protagonist doubles the
audiences empathy for the protagonist and increases the audiences
concern for the storys outcome.
The films that have a protagonist without a dual personality usually
also have protagonist supporters with whom the audience can have
sympathy. This sympathy is then transferred to the protagonist.
Examples of this can be found in /Star Wars/ (Yoda, Han Solo, and
Chewbacca), /Shrek /(Donkey), and in /Monsters, Inc. /(Mike).
Some films have more than one protagonist. This expands the scope of
audience identification. J and K are the dual protagonists in /Men in
Black, /Nemo and Marlin in /Finding Nemo/. /Pirates of the Caribbean/
has three protagonists:/ /Liz, Will Turner, and Jack Sparrow.
/ Independence Day/ has four characters who share the protagonist
function: Captain Steve Hiller, David Levinson, President Tom
Whitmore and Russell Casse.
Below are the protagonists in the megahit movies:
/ Titanic/: Rose
/ Star Wars/: Luke Skywalker
/ E.T./ : Elliott and E.T. The Extra-Terrestrial
/ The Phantom Menace/: Anakin Skywalker
/ Spider-Man/: Peter Parker (Spider-Man)
/ Lord of the Rings- Return of the King /: Frodo
/ Jurassic Park/: Dr. Alan Grant
/ Forrest Gump/: Forrest Gump
/ Harry Potter and the Sorcerers Stone/: Harry Potter
/ Lord of the Rings-The Fellowship of the Rings/: Frodo
/ The Lion King/: Simba/
Lord of the Rings-The Two Towers/: Frodo
/ Finding Nemo/: Marlin and Nemo
/ Return of the Jedi/: Luke Skywalker
/ Independence Day /: Captain Steve Hiller, David Levinson,
Tom Whitmore, Russell Casse
/ Star Wars-Attack of the Clones/: Young Darth Vader
/ The Sixth Sense/: Cole Sear
/ Star Wars-Empire Strikes Back/: Luke Skywalker
/ Pirates of the Caribbean/: Liz, Will, and Jack
/ Home Alone/: Kevin
/ Matrix Reloaded/: Neo
/ Shrek/: Shrek
/ Harry Potter and the Chamber of Secrets/: Harry Potter
/ Jaws/: Police Captain Martin Brody
/ How the Grinch Stole Christmas/: The Grinch
/ Monsters, Inc./: Sulley
/ Batman/: Bruce Wayne (Batman)
/ Men In Black/: J and K
* The Megahit Movies Book*
The new 500+ page edition analyzes *The Megahit Movies*, those films
which have generated more than $250 million in North American Box
Office receipts. It presents principles of story construction that
can be used to develop popular movies by providing an analysis of
cinematic techniques. It also offers stimulating ideas that can be
helpful in the creative process. The book is designed for writers,
directors and producers who want to create commercially successful
films. The fundamentals of dramatic structure, the human emotions,
and the construction of humorous characters and situations are
explained, with examples drawn from some of the most popular motion
pictures Hollywood has ever produced. The Foreword to the book is
written by *Christopher Lockhart, Executive Story Editor,
International Creative Management (ICM)* in which he discusses what
Hollywood Producers, Agents and Studios are looking for when reading
screenplays. Analysis of recent megahit-blockbuster movies such as
*SHREK 2, SPIDER-MAN 2, HARRY POTTER, BRUCE ALMIGHTY, MATRIX TRILOGY,
FINDING NEMO, PIRATES OF THE CARIBBEAN and THE LORD OF THE RINGS*
*Click here to Purchase The Megahit Movies Book*
{http://www.TheMegahitMovies.com/ordermeg.htm}
*RMS Story & Screenplay Consultations*
*A personal consultation on your original screenplay!* Once you
purchase this package, you will be permitted to submit a 120 page
original screenplay. Between 3 to 5 pages of written comments about
the screenplay will be emailed to you within 14 days after the
receipt of the script by U.S. Priority Mail. Also included is *The
Megahit Movies Book* 500+ pages of information about the structure of
popular films. Once you have read my comments, I will schedule a
one-hour chat session to further discuss your script. Start
developing your script into a feature screenplay that can be made
into a popular Hollywood movie! *Click here for Story & Screenplay
Consultations* {http://www.TheMegahitMovies.com/ScriptConsult.htm}
{http://www.SherwoodOaksCollege.com/events.html} Sherwood Oaks
Experimental College specializes in organizing screenwriting events
which gives writers access to the top agents, producers and studio
executives in Hollywood. It brings in industry players to personally
meet with writers and keeps the groups small to allow the writers to
interact with each and every guest. So far in 2005 guests have
included James Cameron, David Ducovney, David Mamet, Liam Nieson,
Hiliary Swank, among others. Sherwood Oaks Experimental College also
takes small groups to award shows like The Directors Guild Award
Show, The Producers Guild Awards, The Writers Guild Awards, and The
Emmys. It has held screenwriting events at many Hollywood Studios,
including Sony, MGM, FOX, Universal and Paramount.
{http://www.writerschannel.net} The Writers Channel includes a Mentor
Program; Screenwriting Groups; Pitch Hollywood Executives, Agents and
Movie Producers; Writing classes; Resource Center; Audio Interviews;
Articles on classic movies; member contributed journals; and Creative
Exercises. {http://www.ScriptMag.com} {http://www.writersstore.com}
**Richard Michaels Stefanik
RMS PRODUCTIONS COMPANY
rms(a)TheMegahitMovies.com
www.TheMegahitMovies.com {http://www.TheMegahitMovies.com}
Copyright 2005 by RMS Productions Company
All rights Reserved.
**
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DEAR PARTICIPANT OF CANNES FILM FESTIVAL 2005,
YOUR PERSONAL PHONE WILL PROBABLY NOT WORK IN EUROPE
IF YES, STOP SPENDING YOUR MONEY ON ROAMING CHARGES
-RENT A LOCAL CELL PHONE AND GET ALL INCOMING CALLS FREE EVEN FROM ABROAD
-or RENT FOR FREE A LOCAL GSM LINE AND PUT IT IN YOUR HANDY*TO GET ALL INCOMING CALLS FREE TOO
*your handy needs to be a GSM unlocked phone.
You will find in attachment the RESERVATION FORM with all the rates:
Reply & send it back by fax: 011 377 97 97 20 88 or 00 377 97 97 20 88
You will get your assigned phone number in the next following hours.
The phone will be delivered to your hotel or at Nice airport.
NO PREPAYMENT - NO ABUSIVE PRE-AUTHORISATION CHARGED
SELEK / BVWORLDCALL since 1993, it's FAST, SAFE, SIMPLE.
RESERVATION(a)THECELLPHONECIE.COM
WWW.THECELLPHONECIE.COM
Phone 0 800 747 100
www.cosmonaut.com <http://www.cosmonaut.com/>
Richard Mullady
Cosmonaut Design
1+2 Lower James Street
London
Soho
W1F 9EG
Tel: 0207 287 2221
Fax: 0207 437 4161
www.cosmonautdesign.com <http://www.cosmonautdesign.com/>
Richard(a)cosmonaut.co.uk
************************************************************************
****************
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ARE YOU ATTENDING THE NEXT CANNES FILM FESTIVAL ?
ARE YOU LOOKING FOR ACCOMMODATION?
ARE YOU GOING TO CONTACT US?
Dear Cannes Film Festival Participant,
Should you require some help with your accommodation in Cannes, please feel
free to contact us either by email or on the number below,
Best regards,
Liza
Sales Manager
************************************************
Riviera Connect Group Inc.
2895 Biscayne Boulevard, #339
Miami, Florida, 33137 - 4537 USA.
European Office:
Tel/Fax: + 33 4 93 21 05 11
email: rivieraconnect(a)compuserve.com
************************************************