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Canadian Agencies and Film Commissions in attendance at the AFM

von Canada Film Commissions & Agencies

19 Jahre, 8 Monate

Special Event!

von StrongholdProds＠aol.com

Stronghold Productions is proud to announce An Official Selection of the FirstGlance Hollywood Film Festival Be a part of this exciting event and attend the screening of Runaways on Friday, December 3, 2004 at 7pm! FirstGlance Hollywood Film Festival December 2-5, 2004 Raleigh Studios Hollywood, 655 N. Van Ness, Hollywood, CA For information, go to: _www.runawaysthefilm.com_ (http://www.runawaysthefilm.com/) or _www.firstglancefilms.com_ (http://www.firstglancefilms.com/) Tickets will be on sale November 1st at _www.Tix.com_ (http://www.tix.com/) and will be available at the festival box office during the event (Note: click on Runaways when surveyed at ticketing site). Complimentary Tickets available for all press and industry executives, contact _Strongholdprods(a)aol.com_ (mailto:Strongholdprods@aol.com) All domestic and foreign sales handled by Echelon Entertainment, for information, contact _geoff(a)echelonent.com_ (mailto:geoff@echelonent.com)

19 Jahre, 8 Monate

Digital Studio at AFM This Tuesday - Final Update

von iHollywood Forum

19 Jahre, 8 Monate

CORPSES - AFM Premiere Market Screening

von York International

Don't miss York International's AFM Premiere Market Screening of the 'delightfully wicked' horror/comedy CORPSES Time: Wedneday Nov. 3rd @ 11:00 am Location: Le Marigot Screen # 3 Booth Location: Loews Santa Monica, Ste 602 Contact: Jennifer Dillon for appointment dillon(a)yorkinternationalinc.com <mailto:dillon@yorkinternationalinc.com> Click photo to view exclusive TRAILER! <http://www.yorkentertainme> Synopsis-Small towns can hide big secrets, and none is bigger or more dangerous than the plan Fred, the local mortician has. Through pure luck, he has discovered a serum that when injected into the body of a corpse, revives them for an hour at a time. Seeing the positive side to this, he plans on using his new powers to resurrect an entire army of the living dead to do his dirty work, including robbery, destruction and murder. Freds botox-loving, self-obsessed ex-wife, Helen, (who is now engaged to the local chief of police, Captain Winston) is determined to run the funeral home out of business. When Fred learns of this and sets his undead soldiers to get her back in his life, and take care of Captain Winston once and for all, including anyone else who stands in his way.

19 Jahre, 8 Monate

AFM Nov. 2004 Meeting Request

von Horizon Entertainment

19 Jahre, 8 Monate

FilmFestivals NewsLetter N°206

von newsletter＠films-festivals.com

FILMFESTIVALS.COM WEEKLY NEWSLETTER N° 206: OCTOBER 28 - NOVEMBER 4, 2004 Filmfestivals Entertainment Group was the proud presenting sponsor of the HOLLYWOOD EUROPEAN AWARDS on October 18 at the Beverly Hills Hilton in LA. And the winner was MAR ADENTRO (OUT TO SEA), A film by Alejandro Amenábar that received The Hollywood European Award presented by Filmfestivals.com Meet us at upcoming SATIS show in Paris November 3-5 Contact our editor : mailto:editor@filmfestivals.com Adverise: mailto:bruno@filmfestivals.com ______________________________________________________________ NEWS FROM THE RECENT HOLLYWOOD FEST The Hollywood Awards concludes on the 18th the Hollywood Film Festival * Hollywood Fest bestows Kudos W. Salles, Moore and more... * Crème de la crème at the Holywood European Awards * Hollywood European Awards nominees * Annette Bening & Di Caprio Awarded at Hollywood Fest * Gibson awarded producer of the year at Hollywood fest http://www.filmfestivals.com/cgi-bin/shownews.pl?obj=ShowNews <http://www.filmfestivals.com/cgi-bin/shownews.pl?obj=ShowNews&CfgPath=f fs/filinfo&Cfg=news.cfg&news=festival&text_id=26764> &CfgPath=ffs/filinfo&Cfg=news.cfg&news=festival&text_id=26764 ______________________________________________________________ NEWS FROM OUR PARTNER SONY DIGITALMASTER TAPE Ditch the Glitches * Designed for any mini-DV or DVCAM(tm) camcorders, * DigitalMaster(tm) tape is far from ordinary. * Click here for more info http://ad.doubleclick.net/clk;10848566;10287932;n?http://digitalmasterta pe.com/ ______________________________________________________________ NEWS FROM FESTIVALS * New York Film and Video Festival returns to Manhattan * Century City has its Festival * Fitzroy Shorts Fest inaugural event Nov 6th * new and old european classics on view in Turkey * Deep Ellum Film Festival wrapped * The 2nd Swiss American Film Festival in NY * The Silver Lake Film Festival showcased Betrunner * Berlinale Talent Campus 2005 expanded * Hamptons gives its awards * London Fest opens in relaxed ambiance says Leigh * Denver Film Festival full program * Vive le cinéma at the French Film Festival UK * Mill Valley Film Festival Closes * Bust Magazine dynamite Film Festival * Pelé will open Sport Movies & TV 2004 * East comes to Cottbus Nov 2 * Showcomotion (children and youth fest) awards http://www.filmfestivals.com/htm/festivalsnews.shtml __________________________________________________________ LAST MINUTE TRAVELS, PLANS FOR YOUR FESTS "One Stop Shop" to book hotels, flights, rental car... http://www.filmfestivals.com/htm/useful_info.shtml ______________________________________________________________ AWARDS * Filmfestivals proud presenter of the Hollywood European Award to The Sea Inside * Award at debated Swedish Flimmer-festival * Nobody Knows wins at Flanders * Last Awards International Panorama of Thessaloniki * Vancouver Award Winners: Machuca, Beeing Caribou * Aspen Film Festival awards * San Diego Fest awards announced * Dragons & Tigers awards from Vancouver * Winners of the Grand Prize of the Dutch Film * Malibu Fest: And The Winner Is... * Fantastisk Filmfestival in Lund awards * Port Townsend Fest Wraps with Nod to Winners http://www.filmfestivals.com/htm/festivals_wrapup.shtml _____________________________________________________________ THE NEWS " IN FRENCH " * L' aventure de Dijon? no mustard story * L'histoire au rendez vous à Pessac fine history * Hommage à Michel Simon * Palmarès Cinespaña * Les Toiles de Mer font peau neuve à Lanton (Bassin d'Arcachon) * Palmarès du Festival du nouveau cinéma de Montréal * Cinéma Méditerranéen Montpellier met l Espagne à l honneur * Nouveau palmarés pour le prix Michel Simon * Le beaujolais rencontre le cinéma francophone * Lausanne Underground Film and Music Festival 13-17 octobre 2004 * Le festival cinéma Méditrranéen à Bruxelles se mettra au vert * 9ème Festival du cinéma espagnol de Toulouse - Midi-Pyrénées * Le Satis s'ouvre à l'international avec un pavillon britannique http://www.filmfestivals.com/fr/index.shtml ______________________________________________________________ FESTIVALS AGENDA Festivals calling for your films... This week, this month, the BULLETIN BOARD... http://www.filmfestivals.com/htm/deadlines.shtml ASPIRING FEST REPORTERS WANTED Share your Festival experiences with us. Be a filmfestival reporter and ambassador. maito:editor@filmfestivals.com ______________________________________________________________ NEWS FROM OUR PARTNER Welcome to ypalive, the Webs premium lifestyle portal! ypalive strives to be all things to all people without sacrificing quantity or quality, and was created with the demanding, yet cost-conscious consumer in mind. http://www.ypalive.com/aboutus.asp ______________________________________________________________ D-CINEMA NEWS * Digital synthetis tech For HD 3D http://www.filmfestivals.com/htm/dcinema.shtml ______________________________________________________________ FEST PLAYERS FOCUS * Honorary Golden Dove for Fred Gehler * Wenders and Edgar Reitz honored at Manheim fest * Uppsala Short Film Festival Grand Prix Winner * Stockholm Fest celebrates Oliver Stone * Naomi Sheridan heads the Turks & Caicos jury * EFA board meeting during Warsaw Fest * Allen Daviau seminar at the Hawai Fest * Jim Sheridan & Morgan Freeman honored at Turks and Caicos * Pierre Ange le Pogam from Rio Fest * Viva Pedro, Leigh and more at NY Fest * Meet Mar del Plata Festival Director * Turtles can fly: San Sebastian winner's statement * AFI FEST 2004 Announces a Tribute to Almodóvar * LeVar Burton appearance at Chicago Children fest * Performers for Scripts Out Loud at The Atlantic Fest * Pro meetings during upcoming Buenos Aires Fest * John Pierson joins SXSW (South by Southwest ) http://www.filmfestivals.com/fr/index.shtml ______________________________________________________________ FILM FROM FEST FOCUS * Jonathan Nossiter for Mondovino showing in London Fest * NY Fest about Asian and Latin American Influences * NY Fest : American Indies make a come back http://www.filmfestivals.com/htm/films.shtml ______________________________________________________________ FESTIVALS AGENDA Festivals calling for your films... This week, this month, the BULLETIN BOARD... http://www.filmfestivals.com/htm/deadlines.shtml ______________________________________________________________ CALL FOR ENTRIES ONLINE SUBMISSIONS Filmmakers don't miss these ones! 1) CINEMA IN PARADISE BAHAMAS INTERNATIONAL FILM FESTIVAL December 9-12, 2004 join filmmakers and celebrites from around the world at the inaugural edition. The festival will entertain visitors with a diverse presentation of international films, unusual cultural experiences and fantanstic social events. Come and be a part of the fun! http://www.filmfestivalspro.com/bulletin/04/october/bahamas.shtml 2) NEW YORK FILM AND VIDEO FESTIVAL November 11th - 21st The New York International Independent Film and Video Festival (NYIIFVF) returns to Manhattan for eleven days of screenings, premieres, performances, panels and parties. The festivities kick off on November 11th at 7 p.m. with an opening night party at Club Spirit and runs through November 21st at the Village East Cinema. http://www.filmfestivalspro.com/bulletin/04/july/nyiifvf.shtml 3) SATIS PARIS PORTE DE VERSAILLES November 3 - 5, 2005 The 22nd SATIS is focusing its development around industry occupations and know-how. A new division of the sectors for a more clearly defined, more comprehensive offer. 192 exhibitors, 20,000 vistors expected. Do not miss the leading French show for technical industries. http://www.satis-expo.com/uk/visit/visit.php 4) Sun, Sand, Sea, and Cinema star in 1st Annual Turks & Caicos International Film Festival & Screenwriting Competition, November 13-20, 2004, Accepting entries for inaugural event in award-winning islands for feature, documentary, short, animated, student,foreign & Caribbean/Bahamian categories. Also screenplay entries http://www.filmfestivalspro.com/bulletin/04/may/turks.shtml 5) ZLIN FEST FOR CHILMDREN AND YOUTH May 29 - June 4, 2005 ZLIN festival is the unique film and social event, one of the oldest, largest and most important events of its kind worldwide. Films compete in six sections - film for children, for youth, animated film, European debuts, student films and films from Visegrad countries. The project is supported by the Czech Parliament and Ministry of Culture, the EU Media Programme and the International Visegrad Fund. Festival is held under the auspices the Czech UNESCO Commission and the Czech UNICEF Commission. http://www.filmfestivalspro.com/bulletin/04/october/zlin.shtml 6) 4th BEVERLY HILLS FILM FESTIVAL April 13-17, 2005 Beverly Hills Film Festival April 13-17, 2005 is now acepting entries Call for Entries Deadline : Fjanuary 1st, 2005 http://www.filmfestivalspro.com/bulletin/03/july/beverly_hills2004.shtml 7) See your Banner blinking on Filmfestivals.com HOMEPAGE linked to your online Call for Entries on our Bulletin Board. Maximize film entries. Email our COO Bruno Chatelin bruno(a)filmfestivals.com for a detailed brainstorming or Helen Dobrensky helen(a)filmfestivals.com for a campaign proposition. Details online http://www.filmfestivalspro.com/bulletin/bulletin_board.pdf ______________________________________________________________ MORE festival news at http://www.filmfestivals.com Film pros: http://www.filmfestivalspro.com French focus: http://www.filmfestivals.fr Film & Festival DATA BASE management http://www.filmfestivalsPRO.com ______________________________________________________________ To subscribe to our newsletter: send a blank email to newsletter-subscribe(a)films-festivals.com or click on mailto:newsletter-subscribe@films-festivals.com To unsubscribe to our newsletter: send a blank email to newsletter-unsubscribe(a)films-festivals.com ______________________________________________________________ This weekly e-newsletter is intended for subscribers only. Please feel free to forward it to other colleagues; Subscription is free of charge. For re-publication or copying requests, please contact us at: editor(a)filmfestivals.com Copyright (c) 2004 Filmfestivals. All Rights Reserved. _______________________________________________

19 Jahre, 8 Monate

Creating awareness, building buzz and delivering audiences

von Screen Daily

19 Jahre, 8 Monate

The Megahit Movies Ezine 1 : Nov 1, 2004

von Richard Michaels Stefanik

The Megahit Movies Ezine 1 November 1 2004 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ * Story Design: Creating Popular Movies * The Megahit Movies Book 2004 Edition * RMS Story & Screenplay Consultations * LA Screenwriting Expo 3 November 5-7 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Design: Creating Popular Movies Each month this ezine will contain excerpts from the new 2004 edition of The Megahit Movies book. The Fundamental Question Hollywood has produced thousands of feature films, but only a few have received megahit status and generated more than $250 million in North American box office receipts. What is it about these films that made them so successful? Story Design for Creating Popular Hollywood Movies This book is designed to show a screenwriter how to create an original script that has the potential of becoming a popular Hollywood movie. Screenwriters reading this book should want to create commercially successful movies. We start our story development process with a discussion of what it means to be a Popular Hollywood Movie. Popularity is defined by different measures: U.S. Domestic Box-Office Grosses, Worldwide Box-Office Grosses, Academy Awards, and WGA Screenwriting Awards. Every film critic also has his own choice for The Best Movie of the Year, as do the filmmakers who attend the Sundance Film Festival and the IFP Independent Spirit Awards. A writer should be certain about which type of popularity he wants to achieve. From the start of the screenwriting process, the writer should understand that he is writing for a specific audience. This is made clear when we discuss genres and the standard categories of scripts as classified by Hollywood producers and agents. Genres segment the audience into groups of people who enjoy different types of stories. The total potential audience is partitioned into market segments. Some of the questions that a screenwriter should answer are: Why do I want to write a screenplay? Do I want to create a financially successful or a critically acclaimed screenplay? Who is my intended audience? The first thing that a writer should create is the concept of the story. Will it be a high concept story? Next, he should create a logline for the movie: a single sentence description of the main character and the goal that the character is trying to achieve. Most popular movies are designed around three main characters: the protagonist, the love interest, and the antagonist, as well as a unique object that they are trying to possess. Since only one character can eventually obtain the unique object, this structure guarantees conflict throughout the story. The climax scene is a life-and-death struggle between the protagonist and the antagonist for the unique object. A writer should try to imagine the movie poster that will be used to market the film to a global audience. Study the poster designs of the current popular movies. Within these images are the core elements of the story: protagonist, antagonist, love interest, and an image which defines the genre of the movie. A movie that hopes to become popular will need to have such a poster. Given these core elements, we then go on to discuss the psychology of the audience. The writer must understand the importance of creating empathy in the audience for the protagonist and love interest, while simultaneously generating enmity (fear and hatred) for the antagonist. This is essential for creating mass-market popular Hollywood movies. The classic Hollywood Three-Act Structure is used to this effect. We explicate this structure in terms of the plotting of the story that will create an emotionally satisfying experience for the audience. The key to creating popular and commercially successful Hollywood movies is to learn how to elicit specific emotional reactions from the audience. The writer should create an empathy scene for the protagonist and love interest and an enmity scene for the antagonist. The writer should also cast the three primary characters (protagonist, antagonist, and love interest) with currently popular Hollywood actors. This will make the characters easier to write and also will eventually help in marketing the finished screenplay to Hollywood producers. We next focus on creating three-dimensional characters by analyzing character personality types, motivation, personal objectives, emotional decisions, character relationships, ethical values and codes of behavior, character arcs and transformations, and supporting characters. The screenwriter should write a description for the protagonist supporter, who should be humorous and likeable and the antagonist supporter, who should be vicious and hateful. They should also describe the motivation, personal objective, and transformation for each of the five primary characters of their story: protagonist, antagonist, love interest, protagonist supporter, and antagonist supporter. Hollywood recognizes the importance of supporting roles by giving Academy Awards each year to the Best Supporting Actor and Actress. Now that we have created the basic elements of our story, a unique object that is desired by the protagonist and antagonist and the key supporting characters, we will then show how to make the story unpredictable. This is done by creating subgoals to the protagonist's primary objective which conclude as plot twists. Plot twists result when the expected consequence of completing a subgoal does not happen once that subgoal is achieved. An example of this can be found in the Wizard of Oz. Dorothy believes that the Wizard will get her back home (her primary objective). Her first major subgoal is to get to the Emerald City to see the Wizard. She overcomes many obstacles to achieve this subgoal. When she meets the Wizard, he does not help her go home, but instead assigns her the task of getting him the broomstick of the Wicked Witch of the West. This is a plot twist. Examples of many other plot twists from popular Hollywood movies will be discussed in this book. Creating expectations in the audience with the intention of having these expectations not fulfilled is the key to creating surprise and unpredictability. Essential to creating excitement is conflict that produces jeopardy for the protagonist and his supporters. These conflicts are generated by the obstacles and problems that the protagonist must solve in order to achieve the subgoals and primary objective. Jeopardy producing obstacles can be the result of self-conflicts, enemies, relatives, friends, lovers, physical objects, the natural world, and the supernatural world. We review many examples of each type of obstacle found in popular movies. The writer will also come to understand that in each scene of the script, there should be an obstacle or problem that the characters in the story must overcome. This ensures that there will be conflict and excitement in each scene. We next discuss the difference between a plot and a story, events and actions, the inciting event, subplots, and different ways that a writer can organize a plot. At this stage, the writer will be prepared to design a Prelude, Act 1, Act 2, Act 3, and Resolution structure for their story. They should be able to write a plot outline that contains forty (40) major obstacles; one for each scene. A story is different from a plot. While a plot is a series of events that constitute the movie, the story is the series of actions and decisions the protagonist makes in the movie. Story is the sphere in which human values, virtues, vices, and community ideals interact and come into the foreground of the movie. The screenwriter must choose virtues for their protagonist and vices for their antagonist. They should write scenes showing the protagonist exhibiting this virtue when confronting an obstacle and a scene showing the antagonist displaying a vice when dealing with a different obstacle or problem. An example of this is the way that Bruce Wayne and Jack Napier court Vickie Vale in Batman, or the way that Indiana Jones and the sadistic Nazi negotiate with Marion for the headpiece of the staff of Ra in Raiders of the Lost Ark. We next discuss the design of scenes, concentrating on scene actions, point-of-attack, crisis, confrontation, climax, resolution, exposition scenes, transition scenes, opening scenes, protagonist introduction, antagonist introduction, climax scenes, and resolution scenes. The writer should create a 3x5 index card (40 cards) for each scene that includes the major obstacle (or problem), crisis, confrontation, climax, and the emotional reactions of the characters in the scene. These elements constitute the essential moments or beats of the scene. From these index cards the writer should create a detailed plot outline. A full length screenplay can have between 40 and 60 scenes, each between 3 to 2 minutes in length. We then discuss connecting scenes together into sequences. Each sequence should be designed to have a specific emotional effect on the audience. We will also analyze ways of entertaining the audience and conveying information during exposition scenes. We will discuss how "Chase" sequences and "Ticking Clocks" sequences can generate suspense. These types of sequences are especially important in the third act of the story because they are used to drive the audience into an emotional frenzy before the final climax scene. Since the key to creating a popular Hollywood movie is to create an emotionally satisfying experience for the audience, it is critical for a writer to understand how to create situations that will elicit specific emotions in the audience. We discuss the relationship of emotion to story design, the Cognitive Theory of Emotions, techniques to heighten the intensity of emotional reactions, and ways to elicit specific emotional reactions to events, actions, and objects. Emotions also form the subtext underlying powerful dialogue. To entertain the audience is to make them laugh while vicariously experiencing situations of jeopardy. Eliciting emotions in the audience is very important when creating humorous scenes. We discuss the techniques used in creating humorous dialogue, humorous situations, and humorous characters. Ultimately, the writer must be clear on the theme of the story. What is the movie really about? What does it have to say about the human condition? What will the members of the audience learn about life and human relationships? Does the story have universal appeal? Does the narration rely on mythic structures? How does the theme of this movie compare with the themes found in many of the megahit movies? We next present the Standard Screenplay Format that Hollywood agents, producers, and Studio Executives expect to see in a script. Not having your script correctly formatted is the fastest way for it to get rejected by readers. The formatting rules are simple, but extremely critical, if the writer wants to be considered a professional screenwriter. Next we discuss Strategies for Selling a Screenplay.Topics include: the Screenwriting Business; Hollywood Studio Development Deals; Referrals from Family & Friends; Greenlighters- Players-Champions; Casting Bankable Actors; Packaging Bankable Directors; High Concepts & Loglines; Creating Extraordinary Worlds; Pitching Stories & PitchFests; Query Letters, Synopsis, and Treatments; Agents, Managers, & Lawyers; Legal Issues for Screenwriters; Screenwriting Contests; Screenwriting Consultants; Screenwriting Conferences; Write the Novel Version of the Script. The new world of digital moviemaking offers alternative options to screenwriters. We explore this by discussing Independent Digital Video Movie Production; Internet Digital Broadband Distribution; and DVD Movie Production & Distribution. The screenwriter should be able to write a query letter. Then prepare a five minute verbal pitch of the story, based on the content of the query letter. They should be able to write a one page synopsis of their story based on the plot outline. The writer can expand their detailed plot outline into a screenplay format outline before they start writing the first draft screenplay of their story. Information about The Megahit Movies Hollywood Story Design Workshops is included at the end of the book. These workshops will be valuable to screenwriters who would like help further developing their original stories into commercial scripts. The Megahit Movies book is designed for screenwriters, directors, and producers who want to create commercially successful movies. We hope the reader finds this book to be a useful tool in achieving that objective. The Megahit Movies - http://rs6.net/tn.jsp?t=9suv8a44.0.y69tp9n6.zb985y67.40637&p=http%3A%2F%2Fw… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ The Megahit Movies Book 2004 Edition The new 525+ page 2004 edition analyzes The Megahit Movies, those films which have generated more than $250 million in North American Box Office receipts. It presents principles of story construction that can be used to develop popular movies by providing an analysis of cinematic techniques. It also offers stimulating ideas that can be helpful in the creative process. The book is designed for writers, directors and producers who want to create commercially successful films. The fundamentals of dramatic structure, the human emotions, and the construction of humorous characters and situations are explained, with examples drawn from some of the most popular motion pictures Hollywood has ever produced. The Foreword to the book is written by Christopher Lockhart, Executive Story Editor, International Creative Management (ICM) in which he discusses what Hollywood Producers, Agents and Studios are looking for when reading screenplays. Analysis of recent mega-blockbuster movies such as SHREK 2, SPIDER-MAN 2, HARRY POTTER, BRUCE ALMIGHTY, MATRIX TRILOGY, FINDING NEMO, PIRATES OF THE CARIBBEAN and THE LORD OF THE RINGS: RETURN OF THE KING The book is available for purchase at www.TheMegahitMovies.com, www.Amazon.com and www.WritersStore.com Purchase The Megahit Movies Book 2004 Edition - http://rs6.net/tn.jsp?t=9suv8a44.0.ru8vq8n6.zb985y67.40637&p=http%3A%2F%2Fw… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ RMS Story & Screenplay Consultations A personal consultation on your original screenplay! Once you purchase this package, you will be permitted to submit a 120 page original screenplay. Between 3 to 5 pages of written comments about the screenplay will be emailed to you within 14 days after the receipt of the script by U.S. Priority Mail. Once you have read my comments, I will schedule a one-hour chat session to further discuss your script. Start developing your script into a feature screenplay that can be made into a popular Hollywood movie! Also included is The Megahit Movies Book 525+ pages of information about the structure of popular films. RMS Screenplay Consultations - http://rs6.net/tn.jsp?t=9suv8a44.0.9uxt57n6.zb985y67.40637&p=http%3A%2F%2Fw… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ LA Screenwriting Expo 3 November 5-7 Richard Michaels Stefanik will be giving a Story Design: Creating Popular Hollywood Movies lecture at the LA Screenwriting Expo 3 November 6th Saturday 5 pm. For 3 days of Guests of Honor including Jerry Lewis, Robert McKee, William Goldman, Aaron Sorkin, Richard Donner, Paul Attanasio, Arnold Kopelson, and many more. A new guest every 2 hours! For 3 Days of Panels on the Business of Screenwriting including 2 panels of agents, a producers panel, plus panels on legal information, entering contests, making your own break, selling your script over the Internet, TV writing, making your own movies, and more. For Access to 300 Producers, Development Execs, Agents, and their Assistants at 6 different cocktail and networking parties. Don't miss this chance to network with these decision makers who can transform your dream into reality. Access to Over 350 Seminars and Worshops by the best teachers in the industry. These seminars are 90-minutes in length and cost $4 additional. Plus Pitching to over 60 Companies including Industry Entertainment (Warner Bros.); Spring Creek Productions (Warner Bros.); Neo Art & Logic (Dimension Films); Gross Entertainment (Disney/Fox); Evolution Entertainment (Lion's Gate/Disney/Universal); Brad Luff Productions (Sony); Firm Films (Fox); Mosaic Media Group (MGM, Sony); Circle of Confusion, Miramax/Dimension Films, and The Brant Rose Agency, to name a few... LA Screenwriting Expo 3 is held November 5-7, 2004 at the Los Angeles Convention Center in downtown Los Angeles. www.ScreenwritingExpoRegistration.com - http://rs6.net/tn.jsp?t=9suv8a44.0.rf8f7a44.zb985y67.40637&p=http%3A%2F%2Fw… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ SHREK 2 SPIDER-MAN 2 PRISONER of AZKABAN All the Megahit Movies (525+ pages of analysis) <center>Purchase the Book Now!</center> - http://rs6.net/tn.jsp?t=9suv8a44.0.ru8vq8n6.zb985y67.40637&p=http%3A%2F%2Fw… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Script Magazine - http://rs6.net/tn.jsp?t=9suv8a44.0.rh7rz9n6.zb985y67.40637&p=http%3A%2F%2Fw… The Writers Channel - http://rs6.net/tn.jsp?t=9suv8a44.0.z69tp9n6.zb985y67.40637&p=http%3A%2F%2Fw… Sherwood Oaks College - http://rs6.net/tn.jsp?t=9suv8a44.0.8uxt57n6.zb985y67.40637&p=http%3A%2F%2Fw… American Film Institute - http://rs6.net/tn.jsp?t=9suv8a44.0.sf8f7a44.zb985y67.40637&p=http%3A%2F%2Fw… Join our mailing list! http://ccprod.roving.com/d.jsp?p=oi&m=994048862265 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ email: rms(a)themegahitmovies.com web: http://www.TheMegahitMovies.com Forward email http://ccprod.roving.com/sa/fwtf.jsp?m=994048862265&ea=cannes56@filmstudio.… This email was sent to cannes56(a)filmstudio.rwth-aachen.de, by rms(a)themegahitmovies.com Update Profile/Email Address http://ccprod.roving.com/d.jsp?p=oo&m=994048862265&ea=cannes56@filmstudio.r… Instant removal with SafeUnsubscribe(TM) http://ccprod.roving.com/d.jsp?p=un&m=994048862265&ea=cannes56@filmstudio.r… Privacy Policy: http://ccprod.roving.com/roving/CCPrivacyPolicy.jsp Powered by Constant Contact(R) www.constantcontact.com The Megahit Movies | P.O. Box 27428 | Washington | DC | 20038

19 Jahre, 8 Monate

NEW docs & films screening at AFM

von Passion River International

To see the promotion, please go to: http://www.enflyer.com/s/v?ib=1742;80596;154551;21376;68765;195 ----------------------------------------------------------------------- This email was sent to cannes56(a)filmstudio.rwth-aachen.de by Passion River International. To unsubscribe go to the link below: http://www.enflyer.com/s/o?ib=1742;80596;154551;21376;68765;195 EnFlyer The Email Marketing Experts http://www.enflyer.com/ Report Abuse: http://www.enflyer.com/s/p?genas&ib=1742;80596;154551;21376;68765;195 Sender Information: http://www.enflyer.com/s/si?ib=1742;80596;154551;21376;68765;195

19 Jahre, 8 Monate

AFM 2004

von Armada Pictures International

ARMADA PICTURES INTERNATIONAL AFM 2004 SALES OFFICE LOEWS HOTEL SUITE 630 TEL (310) 920-4184 / FAX (310) 458-6761 Dear Friends, As AFM is fast approaching, we would like to take this opportunity to update you on the recent developments with our current and upcoming slate of pictures. *************************************************************************** *************************************************************************** *************************************************************************** *************************************************************************** *************************************************************************** *************************************************************************** *************************************************************************** To arrange a meeting, please make two suggestions with preferred date and time in a return email to ydanielak(a)armada-pictures.com We look forward to seeing you soon. Best regards Yarek Danielak VP, International Distribution Corporate Address: Armada Pictures International 9720 Wilshire Boulevard, 5th Floor Beverly Hills, California, 90212 Tel. (310) 205-9600 Fax (310) 205-9610 *************************************************************************** You are receiving this message because you have requested information and updates sent via email. If you no longer wish to receive these emails, please reply to this message with "Unsubscribe" in the subject line or simply click on the following link: http://unsub.vresp.com/u.html?a94f0dcc26/6d49a94416/d580f69 _____________________________________________________________________ Click below to Forward this message to a Friend: http://oi.vresp.com/f2af/v4/send_to_friend.html?ch=a94f0dcc26&ldh=6d49a94416 _____________________________________________________________________ This message was sent by Armada Pictures International using VerticalResponse's iBuilder (R) Armada Pictures International 9720 Wilshire Boulevard, 5th Floor Beverly Hills, California 90212 Read the VerticalResponse marketing policy: http://www.verticalresponse.com/content/pm_policy.html

19 Jahre, 8 Monate

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2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

Cannes